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Tuesday, August 12, 2014

Initial Impressions of No Salvation for Witches by Rafael Chandler (Indiegogo)


This is most certainly NOT a review. I haven't read far enough along to get to the review part of this. Instead, this is my initial impressions of No Salvation for Witches, of which I was graciously given a PDF copy of (thanks to +Rafael Chandler and +James Raggi ).

First, a little background. I enjoy +Rafael Chandler 's writing and generally appreciate the look and feel of the LotFP releases, if not the actual game-ability (yeah, I have some usability issues with some most of James's recent releases - party fucks are not my style.) So, if nothing else, you know my final assessment will be a fair one, even if I am predisposed to have high expectations of Raf's work.

The release of No Salvation for Witches is via an Indiegogo project which is offering the 64 page hardcover for the risky pricing of Pay What You Want (minimum one Euro plus shipping). Leave it to James to find a way to go off the rails ;)

NSFW (which could be applied to nearly all recent LotFP releases) is set in England in 1620. It seems historical locations and times are high on the LotFP list, which is fine. It's easy enough to change the setting to something more fanciful, but the real world touches do add a certain sense of historical realism.

Now, on to the initial impressions:

Art - James never skimps on art. Ever. Much of it is disturbing. Doesn't make it less good.

Layout - not the final version, but pleasing to my middle ages eyes.

Backstory - classic Rafael. If the rest of the adventure is as good as the set up, I really don't care if I get to run it, as I'll be enjoying the story on it's own merits.

Characters - the movers and the shakers of NSFW. Real, legit motivations and characterizations. Again, I expected nothing less from Raf.

First encounter - even if I don't use the adventure as written, I'm using this. Definitely using this.

Color me impressed thus far. Give me a few days to digest this and I'll offer up my review.





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